Spring 2025, CairoLab
A Picture is Worth a Thousand Words - Reading and Writing the Photographic Image

Course details
- Cycle
- Spring 2025, Cairo
- Starts
- Thursday, Jan 23
- Meets
- Thursday, 17:00–20:00
- Length
- 9 weeks
- Format
- In person
- Taught in
- Arabic / English
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About the course
The photographic image plays a pivotal role in our modern era, an age in which image and media culture have become more dominant than ever. Given this powerful influence, it has become necessary to regard the image as a form of discourse that goes hand in hand with other modes of utterance, or as the widely-known old saying goes; one picture is worth a thousand words. The image carries its own language, filled with symbols and meanings that require us to delve deeply to decipher its mysteries, and to grasp its significance within its cultural and social context. The process of interpreting these scenes depends on tracing the methods of expression and communication used and understanding the relationship between the depicted elements —the people, places, events—and on comprehending the system of signs that renders these images multilayered in their interpretation.
Capturing an image is a deliberate act and an artistic one that reflects the photographer's awareness of all aspects of the captured scene and its production mechanisms. The viewer, in turn, deciphers this work according to their own modes of interpretation where both the photographer and the viewer draw on their cultural and interpretive backgrounds that affect their understanding of the image.
The lab aims to enable participants to explore and analyze the stories behind the photos, which allows them to gain a deeper understanding of photos as historical and cultural sources (reading), and to enhance their ability to create and express themselves through photos (writing).
Through various exercises, observation walks, weekly readings, group discussions, and interviews with artists and researchers, participants will delve into the cultural, historical and social aspects of the image, and will acquire skills in understanding the visual elements in collective storytelling. Participants will develop their own projects, using their personal, family, or research photo archives to extract and interpret the hidden stories and meanings behind images, culminating in an exhibition of their projects.
This lab offers an opportunity to reconsider history and the silent narratives encapsulated by photos, thus creating a space for interpreting and creating new stories through visual culture.
Who teaches it
Yasmine Hussein is a researcher and artist. She obtained her bachelor's degree from Sorbonne University (Paris IV), a master's degree from l’Ecole Pratiques des Hautes Etudes in Paris, and a Master of Arts and Archaeology from the University of Alexandria. She worked as a researcher at the Bibliotheca Alexandrina and currently holds the position of Research Unit Manager at an independent research center. Over the past 15 years, she has worked on numerous research projects and publications, such as "Sacred Places and Popular Practices Across the Mediterranean" (2010) and "Alexandria Past and Present" (2020), in addition to several articles in foreign and Egyptian journals. She has also delivered numerous lectures and workshops and laboratories in the fields of arts, heritage, and the environment. As a visual artist, she has participated in several solo and group exhibitions and has curated exhibitions at the Bibliotheca Alexandrina, Darb 1718, and has displayed her work in Egypt, France, Tunisia, Canada, and Greece.
From the fellow في بداية كل جلسة مناقشة للقراءات المرتبطة بالموضوع وفي نهاية الجلسة تحديد قراءات الأسبوع.
Course flow
January 2025
نظرة عامة على مفاهيم الثقافة البصرية.
قراءات مبدئية لبعض الصور
ملخص تاريخ وأهمية وأنواع الصورة الفوتوغرافية
مقدمة في العناصر التقنية لقراءة الصورة
قراءات للصور من الناحية التقنية
February 2025
نظرة عامة على السيميولوجيا (دي سوسير)
نظرة عامة على السيميوطيقيا (بيرس).
استكشاف نظريات رولان بارت حول التصوير الفوتوغرافي.
In class
- Discussionمناقشة القراءات وتطبيق نظريات بارت على صور مختارة.
كيف تعمل الصور كنصوص تحمل دلالات يمكن قراءتها.
فهم الصور الفوتوغرافية كمصادر أولية.
تحليل صور باستخدام المنهج النصي.
بداية المناقشات حول المشاريع
In class
- Field visitجولة للملاحظة البصرية.
- Discussionمناقشة الجولة
March 2025
كيف تروي الصور قصصًا وتوثق التاريخ.
In class
- Activityلقاء مع الفنانة والمصورة راندا شعث
دراسة كيفية تأثير الصور وانعكاسها على المجتمع.
دور الصور في بناء السرديات.
استكشاف كيف تعكس البورتريهات الهوية الشخصية والثقافية.
In class
- Discussionلقاء مع القائمين على أرشيف بدوي ونقاش على تطور صور البورتريه من خلال الأرشيف
Course reading list
- قراءة الصورة وصور القراءةصلاح فضل – دار الشروق – الفصل الأول
- الثقافة البصرية بوصفها مجالا معرفيا بينيابدر الدين مصطفى – مجلة فتوحات العدد الرابع يناير 2017
- Visual Literacy
- فلاسفة الفوتوغرافيابدر الدين مصطفي
- حول الفوتوغرافسوزان سونتاج
- الغرفة المضيئةرولان بارت. ترجمة هالة نمر - المركز القومي للترجمة
- ملامح السيميولوجيا عند دي سوسير بين المفهوم والمرتكز
- مدخل الي مفهوم سيميائية الصورةإبراهيم محمد
- حياة الصورة وموتهاريجيس دوبري
- العلامة تحليل المفهوم وتاريخهامبرتو ايكو








