Fall 2026, CairoShort Course
Egypt vs. Masr
A Sonic Ethnography of a Fractured City

Course details
- Cycle
- Fall 2026, Cairo
- Starts
- Monday, Nov 16
- Meets
- Monday, 17:30–20:30
- Length
- 6 weeks
- Format
- In person
Share
Discuss it with AI
- Choose your preferred AI assistant.
- A new tab will open with a prompt prepared for this page.
- Press Send to begin exploring the page through dialogue, CILAS-style.
About the course
Ethnography is a qualitative research method used to understand how people live, interact, communicate, and make meaning within a particular local, cultural, social, or political context. It involves studying people in their everyday environments to understand their behaviors, beliefs, relationships, and engagement with their communities from their own perspectives.
Ethnographers often spend extended periods observing and participating in the daily lives of the people they study, an approach called participant observation. They supplement observation with interviews, field notes, and photographs to document everyday life. Less understood is how documenting sound can serve as a valuable source of ethnographic research, because it reveals aspects of social and cultural life that may not be visible through observation alone. Listening allows researchers to explore how people communicate, express emotions, establish identities and social position, remember, and experience the spaces they inhabit.
In Cairo, class is lived through space, language, and sound. The popular distinction between “Egypt” and “Masr” names two worlds that are heard as much as seen: in how people talk, what music they play, and what they call noise. This course uses listening to study how that divide is made, felt, and crossed. Because it runs for six weeks, students carry out a short, small-scale ethnography rather than long-term fieldwork. Part of the work is learning to say what such a study can and cannot show.
Learning objectives
By the end of the course, students will be able to:
- Explain the theoretical foundations of sound ethnography and its relevance to the study of culture, power, and society.
- Demonstrate critical listening skills and analyze soundscapes in their social, cultural, and spatial contexts.
- Design and conduct a small-scale sound ethnography using appropriate qualitative research methods.
- Collect, document, and interpret sound-based data ethically and systematically.
- Critically reflect on the relationships among sound, identity, memory, power, place, and lived experience.
- Analyze “Egypt” and “Masr” as a class-coded distinction expressed in space, language, and sound, and evaluate what it flattens.
Preparation
Read two or three short commentary pieces on Egypt/Masr from Al Manassa and OkayAfrica before the first session.
Who teaches it
For over a decade Shiva has been telling stories in sound. From 2018 to 2022 she built the audio unit from the ground up at Complex, a large digital media company, where she produced multiple non-fiction longform series. Her roles spanned the full production process; from reporting and writing through to sound design and production supervision.
Recently she returned to Cairo, the country of her birth, to pursue an artistic and media practice.
Course flow
November 2026
How are these terms used in speech, media, and online (memes, TikToks, reels) Who is speaking and to whom? First soundwalk: 15 silent minutes around the building with discussion after.
- Boudreault-Fournier, Chapter 2 (the map of sound methods), plus one short piece from Feld and Brenneis.Preparation for the following session.
What can sound tell us that watching or asking can’t?
In class
- Lecture on sound methods, linked to the week 1 readings.
- Recording basics on phones: levels, wind, holding still, noting time and place.
- Consent and safety: the fieldwork ground rules
- Introduce the two paths: Path A, two contrasting sites, or Path B, one threshold site.
- Anouk de Koning, Global Dreams (the café and class-coded public space chapters), and Asef Bayat on “quiet encroachment” from Life as Politics.Preparation for the following session.
Urban ethnography basics: segregation, public and private space, gated compounds vs. sha’bi neighborhoods, and “informal” Cairo. The course’s first critique: the binary flattens the middle classes.
In class
- Map the city together on a large Cairo map. Where is “Egypt”? Where is “Masr”? Where does it get blurry?
- Students confirm their path and site using the map.
- Introduce sound mapping and field notes technique: a two-column template pairing what was heard with what was seen. Field task (first site visit)
- A 3-minute recording, one page of two-column field notes, and a hand-drawn sound map OR a sound map.
- Selected Mahraganat articles, and an excerpt from Ziad Fahmy, Street Sounds: Listening to Everyday Life in Modern Egypt, on noise and how Cairo once sounded.Preparation for the following session.
December 2026
Noise as a judgment, not a decibel level. Sound and voice as ways of marking and policing class.
Lecture and discussion
- Mahraganat: its rise, its stigma, and the Musicians’ Syndicate’s attempts to restrict it.
- The adhan: Hirschkind’s The Ethical Soundscape on cassette sermons, and the state’s push to unify the call to prayer.
- Compound quiet as a product: silence that is sold and paid for.
- Language and voice: code-switching, Franco-Arab, accents, and forms of address as class sounds.
- Introduce interviewing techniques.
- Lila Abu-Lughod, “Writing Against Culture.”Preparation for the following session.
The people who move between both worlds: domestic workers, delivery riders, Uber drivers, and students who commute. The course’s sharpest critique: elite fascination with “authentic” Masr, and how ethnography can feed it. Hand in for next class
- The final sound piece.
- A 500-word draft memo comparing what you heard and how your position shaped it.
In class: a listening exhibition. Each student plays their piece and takes short questions. Hand in: the final sound piece and companion document







