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Thematic courses

Spring 2022, CairoThematic Course

Archives of Memory and Forgetting in the Middle East

Archives of Memory and Forgetting in the Middle East
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Course details

Cycle
Spring 2022, Cairo
Starts
Tuesday, Feb 8
Meets
Tuesday, 18:00–20:00
Length
10 weeks
Format
In person
Taught in
English

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About the course

Milan Kundera tells us in his Book of Laughter and Forgetting that “The struggle of man against power is the struggle of memory against forgetting.” This observation– that how and why we collectively remember is intimately connected to struggle and power– is the guiding theme of this class. We will examine this struggle from historical, political, personal, and contemporary perspectives in literature, architecture, anthropology, museum and archives studies and more. We will look at accidental forms of erasure, instances of mis-remembering, and outright destruction and fabrication in the archive as well as in museums, public spaces, family collections, and other institutions of collective and personal memory.

While this course will focus on the modern Middle East and Egypt in particular, we will bring in examples from Latin America, Africa, and Asia to provide comparative context and demonstrate the role of colonial and postcolonial states in shaping historical memory. Our discussions will draw from the readings as well as music, film, art, photography, your opinions, and more. Throughout the course, we will not only consider the mechanisms of power that censor narratives of the past but we will also look to memory as a source of personal and communal empowerment and solidarity.

Who teaches it

  • Amy Fallas is a Salvadoran-Costa Rican writer, editor, and historian. She received her MA in History at Yale University and is a PhD Candidate in History at UC Santa Barbara. Her research explores the role of ethnic and religious minorities in twentieth century Egypt and El Salvador at the multidisciplinary intersection of modern Middle East history, archival studies, religious studies, and Latin-East connections (Latin America and Middle East). She is currently a research fellow at the American Research Center in Egypt (ARCE) based in Cairo for the 2021-2022 year.

Course flow

Showing 10 sessions

February 2022

  • We will also be answering the following questions: What is an archive? What is historical memory? What responsibility do colonial and postcolonial states have in what we remember?

    • Caroline Elkins, “Looking beyond Mau Mau: Archiving Violence in the Era of Decolonization,”American Historical Review 120, no. 3 (2015), 852–868.
    • Michel-Rolph Trouillot, Silencing the Past: Power and the Production of History(Boston: Beacon Press, 1995), selections.
    • Omnia El Shakry, “History without Documents,”American Historical Review 120, no. 3 (2015), 920-934.
    • Rosie Bsheer, Archive Wars: The Politics of History in Saudi Arabia(Palo Alto: Stanford University Press, 2020), selections.

March 2022

    • WHNYBD, excerpts
    • Karim el Hayawan, “Forgotten Rooms”Photo essay. Photobook Egypt.
    • Heba Khalifa, “Homemade”Photo essay. Photobook Egypt.
    • “Ten Years On Project: Roundtable on Archives, Revolution, Historical Thinking,”Jadaliyya, selections from Sherene Seikaly, Pascale Ghazaleh, and others.
    • Aho da Elly Sarepisode TBD
    • Sherene Seikaly, “The Matter of Time,”American Historical Review 124, no. 5 (2019), 1681–1688.
    • Amina Kadous, “Answers to my Grandfather,”Photo essay. Mada Masr.
    • Amy Malek, “Clickbait Orientalism and Vintage Iranian Snapshots,”International Journal of Cultural Studies 2021, Vol. 24(2) 266–289.
    • Massoud Hayoun, When We Were Arabs: A Jewish Family’s Forgotten Historyselections.
    • Nour el Refai, The NubiansPhoto essay.

April 2022

    • Sharif Abdel Kouddous, “City Limits of the Dead,”Mada Masr.
    • Yasmine El Rashidi, “Pharaonic Ambition in Ferro-Concrete,”New York Review.
    • Saidiya Hartman, Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval(New York: W.W. Norton and Company), selections.
    • Lyz Lenz, “Writing in An Age of Despair”

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