الشتاء ٢٠٢٢، القاهرةمقرر قصير
Egypt's Surrealists, the Avant-Garde and the Sixties Generation

تفاصيل المقرر
- الدورة
- الشتاء ٢٠٢٢، القاهرة
- المدة
- ٨ أسابيع
- طريقة الحضور
- حضوري / عبر الإنترنت
- لغة التدريس
- الإنجليزية
مشاركة
ناقشه مع الذكاء الاصطناعي
- اختر مساعد الذكاء الاصطناعي الذي تفضّله.
- ستُفتح علامة تبويب جديدة، وستجد النص التوجيهي جاهزًا للاستخدام.
- اضغط على إرسال لتبدأ استكشاف الصفحة من خلال الحوار، على طريقة سيلاس.
عن المقرر
This course will explore the different iterations of the avant-garde in Egypt across the 20th Century, their historical specificity, and political orientations. Avant-Garde artistic and literary movements in Egypt stand out because of the importance domestic and international politics played to shape them. Common themes within avant-garde literature such as disfiguration, deformation, sexuality, and death were taken further by adding a political dimension, often geared towards leftist ideology such as marxism, socialism, and anarchism, to a trend that started as a way to reflect disappointment in the face of socio-political unrest in Europe. However, in Europe the artistic works focused less on the politics and more on the feelings of despair surrounding war and the resulting loss. In fact, avant-garde theorists in Europe argued to look inward, which created an individualistic artistic style. This course will focus on the two major avant-garde movements in Egypt, Art and Liberty, which was the name of the Surrealist group in Egypt, and the Sixties Generation, which produced a different style of avant-garde works and was not associated with a pre-established movement like Surrealism. We will be looking at the different languages used within those movements, notably Arabic, French, and English, as well as the different media and genres that were used within those movements, such as poetry, the novel, the short story, theatre, film, painting, etc.
مَن يقدّم المقرر
Malak Abdelkhalek has recently completed her MA in Comparative Literature at King’s College London. Her research languages are Arabic, French, and English. Her dissertation titled ‘The Centres and Peripheries of Surrealism: France, Egypt, and the Spaces in Between’ provided a re-reading of Surrealism as a transnational movement, and demonstrated that Egyptian surrealists based in Egypt and in France brought the movement to closer to its intended end, therefore repositioning the importance placed on European and French Surrealisms in comparison to Egyptian Surrealism. This dissertation encompasses many of Malak’s research interests - the avant garde, gender, colonialism, and post-colonialism.
مسار المقرر
جلسات بلا تاريخ
- Defining the avant-garde and surrealism - Timeline for Surrealism in France and in Egypt
- Surrealism in Egyptexcerpts
- Art and Liberty manifesto
- Surrealist Manifestoexcerpts
- Paintings by Ramses Younan, Abdel Hadi El-Gazzar, Hamed Nada, Samir Rafi, Amy Nimr - Excerpts from Surrealism in Egypt
- PaintingsRamses Younan
- PaintingsAbdel Hadi El-Gazzar
- PaintingsHamed Nada
- PaintingsSamir Rafi
- PaintingsAmy Nimr
- Surrealism in Egyptexcerpts
- Selected poemsGeorges Henein and Anwar Kamel
- Selected poemsJoyce Mansour
- Selected worksEdwar Al-Kharrat, Gamal Al-Ghitani, Sonallah Ibramhim, Ibrahim Aslan
- Gallery 68excerpts
- Lotusexcerpts
- New Cinema Manifesto1968
- The Sparrowdir. Youssef Chahine
في الجلسة
- عرضScreening of The Sparrow, dir. Youssef Chahine






